Selected Quotations: Potebnya and his numerous disciples consider poetry a spargon realize of thinking - thinking by means of images; they odour that the seltzer the question of imaginativeness is to help channel various aspirations and activities into groups and to straighten out the unidentified by means of the known. (717) poets ar much to a greater extent concern with arranging images than with creating them. Images are given to poets; the ability to have in mind them is utmost more important than the ability to create them. (718) By works of art, in the narrow sense, we mean works created by special techniques knowing to mold the works as ostensibly artistic as possible. (718) (Potebnya) ignored the fact that there are two aspects of imagination: imagery as a pragmatical means of thinking, as a means of placing aspirations within categories (metonymic); and imagery as poetic, as a means of reinforcing an impression (metaphoric). (718) as percep tion becomes habitual, it becomes automatic. (720) art exists that one whitethorn recover the sensation of life; it exists to make one feel things, to make the mark stony. . . . Art is a way of experiencing the artfulness of an mark; the object is non important. (720) Tolstoy makes the familiar seem strange by non date the familiar object (defamiliarizing).
He describes an object as if he were seeing it for the set-back time, an event as if it were happening for the first time. In describing something he avoids the accepted call of its parts and instead names corresponding parts of opposite objects. (721) An image is not a permanent referen! t for those uncertain complexities of life which are revealed through it; its purpose is not to make us observe meaning, but to create a special perception of the object - it creates a vision of the object instead... If you fatality to get a full essay, order it on our website: BestEssayCheap.com
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